Facial makeup is used for actors in traditional Chinese operas, mainly in the painted-face roles and the comic roles. It had regular patterns in forms, colors and styles, which revealed the actor's character by means of exaggeration and transmutation of figures. An expert spectator can tell the different roles from the makeup: is he or she a hero or a villain, clever or stupid, respectable or hateful? The attractive make-up of Beijing opera took a special position in various make-up styles in Chinese operas and was famous for its symbolization and exaggeration. There are various patterns of makeup for the forehead, eyebrows, around the eyes, nose, mouth, and chin, which follow certain rules but were not changeless. The eyes, forehead and the cheeks were sometimes drawn as the wings of a bat, butterfly or swallow. The mouth and the nose were exaggerated. The facial makeup of Beijing Opera stressed symbolic colors. The colorful makeup was not for improving one's looks, but to demonstrate the characteristics of the different roles.
For example, a white crescent on the black forehead of Bao Zheng implies honestly and uprightness. |